Category: Oxygen Art Centre

  • Oxygen Art Centre

    BC AUTHORS TIMOTHY TAYLOR AND FLETCHER FITZGIBBON READ VIRTUALLY NOV. 18 FOR NELSON, B.C.’s OXYGEN ART CENTRE
     

    Author Reading Series

    Wednesday, November 18, 2020
    7:00 PM
    Zoom
    Free/ by donation
    R.S.V.P. required

                Famed Vancouver fiction and nonfiction writer Timothy Taylor, and Slocan Valley author Fletcher FitzGibbon will read from and talk about their writing online on Wed., Nov. 18 as the Zoom continuation of the “Home and Away” author reading series co-presented by Nelson, B.C.’s Oxygen Art Centre and Elephant Mountain Literary Festival.

                The event begins at 7 p.m. Those interested in attending the event need to R.S.V.P. by emailing info@oxygenartcentre.org. Attendees will receive the Zoom link and accompanying event information once they R.S.V.P. The event is free and everyone welcome to attend. Donations are encouraged: $2 – $5 via Oxygen’s CanadaHelps pageAuthor Tom Wayman will emcee the event.

    Oxygen, at 320 Vernon St. (alley entrance), is the city’s only artist-run centre. The Nov. 18 event was originally scheduled last March as an in-person event, part of a series pairing a Kootenay author with one from elsewhere. This virtual event reinstates the series online. A Q & A session at the November event will offer the chance for reading attendees to interact with the featured writers.

                A short story by Taylor, who currently teaches writing at UBC, won the 2000 Journey Prize. His first novel, Stanley Park (2001), was shortlisted for the Giller Prize and the Rogers Writers’ Trust Fiction Prize, and was chosen as the 2004 title for One Book, One Vancouver. The novel was a contender in CBC’s 2007 Canada Reads competition.

                His most recent titles include the novel The Rule of Stephens (2018) and a food memoir, Foodville: Biting Dispatches from a Food-Obsessed City (2014). The Toronto Star said of The Rule of Stephens that “Taylor has composed a tightly-crafted, suspenseful story, and one that smartly plays off the disjunction between the rational world of Stephen Hawking and the ‘lower and darker land’ of Stephen King.”

                The National Post called Foodville “a fun take-down of our obsession with food and the next new thing. He takes to task those who describe dishes with ridiculous superlatives by simply asking ‘Really?’ Is that restaurant really ‘a national treasure’? Was it really ‘a transcendent food experience?’”

                FitzGibbon is perhaps Canada’s only author who is also a practicing Chartered Professional Accountant. He was a prize-winner in Kootenay Mountain Culture magazine’s 2016 fiction contest, co-founded the Nelson Writers’ Salon, and has acted in community theatre and performed as a storyteller to a range of audiences. He recently published a chapbook, A Field Guide to Dream Data—a combination poetry collection and how-to guide for collecting information on your dreams.

    He describes his writing as aiming “to reconcile his experiences in the fast-paced realm of business and his appreciation and admiration of the natural world.”

                The Nov. 18 author reading series is supported in part by the B.C. Arts Council and the Columbia Kootenay Cultural Alliance, and co-sponsored by Nelson’s Elephant Mountain Literary Festival.


  • Oxygen Art Centre

    OCAL ARTIST LEADS PROFESSIONAL DEVELOPMENT WORKSHOP ONLINE!
     

    How to Submit to Commercial Galleries with Kristy Gordon

    Saturday, December 5, 2020

    2:00 – 5:00 PM

    Online

    Total Fee: $60.00

    Oxygen Art Centre is excited to offer a short, online workshop titled, How to Submit to Commercial Galleries led by internationally renowned professional artist Kristy Gordon. On Saturday, December 5, 2020 from 2:00 -5:000 pm Gordon will unveil the practical steps you can take to develop a connection with a commercial gallery.

    This course is for artists that are interested in obtaining professional representation in order to help promote and sell their work, so they can focus on creating. In this course artists will learn how to make initial contact with a gallery; how to prepare a professional artist C.V., Biography, and Artist’s Statement; and how to select the images to submit. It will also cover current techniques for building connections with galleries using Instagram. Through lecture, discussions, and individual feedback, this workshop will demystify how to gain representation by a commercial gallery.

    “It really is wonderful to have an artist like Kristy Gordon living within our midst, and who is willing to share her experience and knowledge of the artworld and how it works,” says Oxygen’s Education Coordinator, Natasha Smith.

    Kristy received her MA from the New York Academy of Art and has exhibited her work in solo and group exhibitions throughout Canada, the United States, Europe and China. Kristy has taught drawing and painting classes internationally since 2008 at institutions and academies including the New York Academy of Art, The National Academy (New York City), and Art Escape Italy (Florence). Her paintings hang in more than 600 collections worldwide and is represented by two prominent commercial galleries: Grenning Gallery in Sag Harbor, New York and Cube Gallery in Ottawa, Canada.

    For more information on this course and to register please visit www.oxygenartcentre.org and contact education@oxygenartcentre.org.

  • Oxygen Art Centre

    Oxygen Art Centre shares educational art videos for free online

    Oxygen Art Centre is excited to share four educational art demonstration videos now available for free through our online channels.
     
    The videos are created by artists Jaymie Johnson (Gallery Assistant, Canada Summer Jobs) and Natasha Smith (Education Coordinator).
     
    Natasha Smith shares a demonstration on Low-Tech Printmaking, offering a step-by-step instructional on the materials and techniques to create your own print at home. Using natural materials, Smith creates magical prints with ferns and leaves found in her backyard.
     
    Jaymie Johnson shares three video demonstrations. The first video guides viewers how to make your own ink using natural or botanical matter like red cabbage. The second video is all about accordion bookmaking, where Johnson shares two methods to making a sketchbook or notebook utilizing materials you might already have at home. The third video explains how to make your own zine. Johnson guides viewers through a stop motion animation drawing explaining how to fold, cut, and develop your own zine.
     
    Start creating at home today! Share your creations by tagging us on Instagram or by sending us an email.
     
    Audio and video image description transcriptions for all videos can be accessed on Oxygen’s website. All videos are free and can be accessed on Oxygen’s website and YouTube channel.
     
    Oxygen’s educational demos are generously supported by the Province of British Columbia, the Government of Canada, Vancouver Foundation, United Way, and Osprey Community Foundation.
    View videos here [https://oxygenartcentre.org/classes/demos/].
     
     
     
     
    Image Credit: How to Make an Accordion Book (Video Still)Oxygen Art Centre Educational Demo, Created by Jaymie Johnson, 2020
     
     
     

  • Oxygen Art Centre
    FOR   IMMEDIATE   RELEASE:  FAll ADULT ARTS EDUCATION AT OXYGEN 🍃
     Register today for online and in person classes 

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    Fall 2020 Adult Education Semester Lineup Launched!
    After much planning Oxygen is excited to launch their fall lineup of adult education opportunities, combining a fine array of online and small in-person classes.
    Oxygen conducted a student survey earlier in June to find out how people were feeling (with COVID in mind) in regards to participating in arts education this fall. The response was very positive and clear– students want to be creative! Oxygen then got to work with their talented team of instructors and volunteers to re-vision how the educational offerings could be delivered in an innovative and safe way.
    Oxygen will be offering seven online courses and three small in-person courses this fall,” says Education Coordinator Natasha Smith. “Many of our instructors have specifically created classes that can be taught online, utilizing the many tools that we now have available to make this learning experience rewarding, interactive and convenient for our students. Another benefit of online programming is that we are removing the barrier of travel for students that live outside of Nelson,” says Smith.
    The three in-person classes include, Resurrecting the Lost Art of Letter Writing with Rayya LiebichEco-Printing on Textiles with Seathra Bell, and Painting on Another Level with Natasha Smith. The class sizes will be limited to a maximum of 5 students and all COVID-19 safety protocols at the Centre will be in place.
    Oxygen is offering two online professional development courses for creatives this fall. Starting with Art Shack with artist Ian Johnston. Ian explains: “It’s a visual arts professional development free-for-all! Over four evenings of group conversation we will harness the hive mind and the experience of the participants to explore a self-identified group of professional development issues such as proposals, statements, audience, networks and researching opportunities.”
    This is an opportunity to share, develop your skills, and meet other artists in a supportive, collaborative space. The second professional development course is How to Submit to Commercial Galleries with artist Kristy Gordon who will unveil the practical steps you can take to develop a connection with a commercial gallery. The one-session course includes a lecture, discussions and individual feedback.
    Deborah Thompson has designed an online drawing course: Drawing with the World in Mind. This course will run twice a week on Tuesdays and Thursdays for the month of October. “The COVID-19 Global Pandemic has highlighted a long list of global problems; climate change, homelessness, opioid crisis, racism, classism and more. Leaning into a creative practice during these times is helpful in developing meaningful insights and in cultivating imaginative ways to give constructive shape to the future,” says Thompson.
    Many students will be excited that Bessie Wapp is offering Singing the Blues Goes Virtual this Fall. In this 7-week course you will explore the rich swamp of the human voice in a relaxed and supportive environment through online group and one-on-one sessions. In November Rayya Liebich will be offering an online Poetry Immersion course. From the comfort of your home immerse yourself in the language of poetry. Weekly online classes will focus on studying the craft of poetry (image, form, feeling) and allow time for a series of guided writing prompts to help hone your writing skills.
    Also running in November and over five classes Natasha Smith will be offering Moving into Abstraction as an online course. Through a series of hands-on projects, students will explore various techniques and alternative ways to develop ideas and images that will encourage a more abstract way of working.
    Interdisciplinary artist, prOphecy sun will be offering an innovative course this Fall: Sonic Imaginaries: An Introduction to Creating Electronic Compositions. This online beginner level studio course explores a wide range of methods and conceptual approaches to creating electronic sound. prOphecy explains: “Each week will explore how sound emerges and will survey conceptual and methodological techniques used in music, video, sound art, and other artistic production.”
    Oxygen is committed to helping with the transition to online programming and will be offering a free online ZOOM orientation session for students on September 17 at 5.30pm (pre-registration required). Email: education@oxygenartcentre.org to register.
    Register today for online and in-person art classes taking place throughout October and November with Oxygen’s incredible artist instructors. Don’t wait–spaces are limited. Learn more about the upcoming classes below and on our website.
    Image credit: Image courtesy Rayya Liebich

    Julia Prudhomme
    Executive Director / oxygen art centre
    info@oxygenartcentre.org
    www.oxygenartcentre.org
    #3 – 320 Vernon St. Alley Entrance.
    Nelson, British Columbia
    (1) 250-352-6322
  • Oxygen Art Centre

    Z’otz* Collective’s “Paradoxes of a Soft Spoken Tree” exhibition opens at Oxygen Art Centre

    Artists: Z’otz* Collective
     
    Exhibition Title: Paradoxes of a Soft Spoken Tree
     
    Exhibition Dates: 29 August – 26 September 2020
     
    Location: Oxygen Art Centre
     
     
    Oxygen Art Centre presents the exhibition, Paradoxes of a Soft Spoken Tree by Toronto-based artist collective, Z’otz* Collective. The exhibition opens to the public on Saturday, August 29, 2020 from 1:00pm – 5:00pm.
     
    Z’otz* Collective is composed of Nahúm Flores (Honduras), Erik Jerezano (Mexico), and Ilyana Martínez (Mexico|Canada). The artists re-join after months working remotely during the pandemic for their remote residency from August 22 – 28, 2020, where they will transmit updates through Oxygen’s online channels.
     
    The exhibition, Paradoxes of a Soft Spoken Tree is a culmination of their remote residency, featuring a collection of drawings on paper and a vinyl mural installation. To create their works, the artists use a system of rotation: they work on different pieces at the same time and then exchange them. Intuition and chance drive the process, as they respond to each other’s forms and marks.
     
    The direct approach of drawing, their primary means of expression, enables them to create quirky subjects and hybrid creatures. They use humour and play to examine the immigrant experiences of displacement, transition and transformation.
     
    Paradoxes of a Soft Spoken Tree opens on Saturday, August 29, 2020 and runs until Saturday, September 26, 2020. Oxygen Art Centre will be open to the public Wednesdays to Saturdays from 1:00pm – 5:00pm.
     
    For the next while, the in-gallery experience will be a bit different when you come to visit. To plan your trip please find our COVID-19 prevention protocols below and on our website:
     
    ☞ Hand Sanitizer will be available to all visitors at the front door. We encourage all visitors to use the provided hand sanitizer prior to entering the centre.
    ☞ Health Declaration: Visitors will be asked to sign-in at the front door.
    ☞ Practice Social Distancing: Ensure 2 metres (at least 6’6”) away from any other individual.
    ☞ Face mask or face covering are required when inside Oxygen Art Centre.
    ☞ Maximum occupancy: 6 people indoors. Please be mindful of other visitors before entering the gallery. Gallery hosts will be on hand to help manage visitor numbers.
    ☞ Front door will remain open during hours of operation (weather permitting).
    ☞ Please stay home if feeling ill or you share a residence with someone who is ill or experiencing COVID-19 related symptoms
     
    We are committed to reducing the spread of COVID-19 in our community and thank you in advance for your continued support. If you would like to plan ahead for your visit, make an appointment to view the exhibition, or learn more about our cleaning and prevention protocols, please click here and/or contact us.
     
    Artist Bios:
     
    Z’otz* Collective / Statement
    Nahúm Flores, Erik Jerezano, Ilyana Martínez
     
    Z’otz* Collective is a group of three artists with Latin American roots: Nahúm Flores (Honduras), Erik Jerezano (Mexico), and Ilyana Martínez (Mexico/Canada). Formed in Toronto in 2004, Z’otz* members meet weekly to collaborate on works that incorporate drawing, painting, collage, sculpture, and site–specific installations. The direct approach of drawing, their primary means of expression, allows them to create quirky, humourous images that touch on the themes of migration, displacement, transition and transformation. The work connects to the storytelling traditions of their background, with mythological beings and symbols that transition between the individual and collective dynamic. Z’otz is the Mayan word for “bat”.
    * Z’otz is the Mayan word for “bat”.
     
    Erik Jerezano was born in Mexico City in 1973. He is a self-taught artist who has exhibited in galleries and artist-run centres across Canada and Mexico. He has been awarded grants from the Toronto Arts Council, the Ontario Arts Council, and his work was purchased for the Art Bank of the Canada Council for the Arts. He was involved in community arts projects in Mexico City, where he collaborated on outdoor murals. The indescribable softness of the (often) ironic reflexivity of Jerezano’s work binds together the two places where he has been shaped the most culturally: Mexico City and Toronto.
     
    Nahúm Flores was born in Danlí, Honduras and immigrated to Canada at age 17, after living in Mexico and the US. He holds a BFA in Drawing and Painting from OCAD University. He has been awarded grants from the Pollock–Krasner Foundation, the Ontario Arts Council and the Toronto Arts Council. His paintings and drawing installations have been widely exhibited in Canada and Central America. He was one of six artists to win the Biennale of Visual Art of Honduras in 2006. This year his work was shown in a solo exhibition entitled “The Inheritors”, at the Museum of National Identity in Tegucigalpa, Honduras. Growing up in Honduras, Flores was exposed to a mixture of Catholic and Indigenous beliefs reflected in daily life. His mixed media work is a fusion of drawing and matter that is intuitively processed. This mode of working gives voice to his subconscious, resulting in expressive figures and amorphous forms. Although scenes depicted are often bleak, they also reflect his sense of humour.
     
    Ilyana Martínez was born in Toronto and grew up in Pennsylvania, Wyoming and Mexico. She holds a Bachelor of Design from the Nova Scotia College of Art and Design, and majored in Drawing and Painting at the Ontario College of Art & Design. She has been involved in design endeavours with prominent museums such the National Gallery of Canada (Ottawa), the Art Gallery of Ontario (Toronto), the Royal Tyrrell Museum of Palaeontology (Drumheller), and the National Museum of Art (Mexico City). Ilyana is a recipient of numerous awards for her drawings and paintings, among these, from the Pollock-Krasner Foundation in New York, the Canada Council for the Arts, the Ontario Arts Council and the Canadian Society of Painters in Watercolour. Her work conjures up places of line, gesture and colour, where contrasting worlds of the urban and the natural coexist and sustain one another to create alternate possibilities. The drawings are layered environmental maps: of the built, of the uncovered, and of the imagined.
     
     
    –       30    –
     
     
    Image Credit: Z’otz* Collective, Paradoxes of a Soft Spoken Tree, vinyl mural mock-up (detail), 2020
     
     
     

  • Oxygen Art Centre

    Oxygen Art Centre transmits a remote residency featuring Z’otz* Collective
     
     

    Residency: 22 – 28 August 2020

    Exhibition: 29 August – 26 September 2020

    Z’otz* Collective, Nahúm Flores (Honduras), Erik Jerezano (Mexico), and Ilyana Martínez (Mexico|Canada), take up a remote residency in their Toronto studio while transmitting updates and studio visits through our online platforms. The remote residency takes place from August 22 to 28, 2020.
    The residency has been augmented due to the pandemic to ensure the safety of the artists and community, while also offering an intimate glimpse into the collective’s studio.

    Z’otz* Collective was formed in Toronto in 2004 by three artists of Latin American heritage; Nahúm Flores, Erik Jerezano, and Ilyana Martínez. In a shared studio, they meet weekly to collaborate on works that incorporate drawing, painting, collage, sculpture, and site-specific installation. Their work connects to the storytelling traditions of their Latin American culture. Through the wording of their titles, the Collective gives hints to the narratives contained within their works, while leaving space for viewers to create their own conclusions.

    Z’otz* Collective has shown work at multiple galleries and museums across Canada including Montreal Museum of Fine Arts, Dunlop Art Gallery, Union Gallery, YYZ Artists’ Outlet, Cambridge Galleries, and the MacLaren Art Centre. All three members have been awarded grants from the Pollock–Krasner Foundation for their individual practices and have received support from the Ontario Arts Council and the Canada Council for the Arts.

     

    Z’otz is the Mayan word for “bat”. The direct approach of drawing, their primary means of expression, enables them to create quirky subjects and hybrid creatures. They use humour and play to examine the immigrant experiences of displacement, transition and transformation.

    To create their works, the artists use a system of rotation: they work on different pieces at the same time and then exchange them. Intuition and chance drive the process, as they respond to each other’s forms and marks. They converse with one another in a language they invent through the act of creating in community.

    The residency will take place from 22 – 28 August 2020 and will be available to the public through Oxygen Art Centre’s social media channels and website.

    Z’otz* Collective will also present an exhibition at Oxygen Art Centre following their residency. The exhibition will be on view from August 29 to September 26, 2020 during hours of operation, Wednesdays to Saturdays from 1:00pm to 5:00pm. More information about pandemic related protocols will be available to visitors on site and on our website and social media channels.

    Artist Bios:

     

    Erik Jerezano was born in Mexico City in 1973. He is a self-taught artist who has exhibited in galleries and artist-run centres across Canada and Mexico. He has been awarded grants from the Toronto Arts Council, the Ontario Arts Council, and his work was purchased for the Art Bank of the Canada Council for the Arts. He was involved in community arts projects in Mexico City, where he collaborated on outdoor murals. The indescribable softness of the (often) ironic reflexivity of Jerezano’s work binds together the two places where he has been shaped the most culturally: Mexico City and Toronto.

    Nahúm Flores was born in Danlí, Honduras and immigrated to Canada at age 17, after living in Mexico and the US. He holds a BFA in Drawing and Painting from OCAD University. He has been awarded grants from the Pollock–Krasner Foundation, the Ontario Arts Council and the Toronto Arts Council. His paintings and drawing installations have been widely exhibited in Canada and Central America. He was one of six artists to win the Biennale of Visual Art of Honduras in 2006. This year his work was shown in a solo exhibition entitled “The Inheritors”, at the Museum of National Identity in Tegucigalpa, Honduras. Growing up in Honduras, Flores was exposed to a mixture of Catholic and Indigenous beliefs reflected in daily life. His mixed media work is a fusion of drawing and matter that is intuitively processed. This mode of working gives voice to his subconscious, resulting in expressive figures and amorphous forms. Although scenes depicted are often bleak, they also reflect his sense of humour.

    Ilyana Martínez was born in Toronto and grew up in Pennsylvania, Wyoming and Mexico. She holds a Bachelor of Design from the Nova Scotia College of Art and Design, and majored in Drawing and Painting at the Ontario College of Art & Design. She has been involved in design endeavours with prominent museums such the National Gallery of Canada (Ottawa), the Art Gallery of Ontario (Toronto), the Royal Tyrrell Museum of Palaeontology (Drumheller), and the National Museum of Art (Mexico City). Ilyana is a recipient of numerous awards for her drawings and paintings, among these, from the Pollock-Krasner Foundation in New York, the Canada Council for the Arts, the Ontario Arts Council and the Canadian Society of Painters in Watercolour. Her work conjures up places of line, gesture and colour, where contrasting worlds of the urban and the natural coexist and sustain one another to create alternate possibilities. The drawings are layered environmental maps: of the built, of the uncovered, and of the imagined.