Category: Oxygen Art Centre

  • Oxygen Art Centre

    Start 2020 Creatively at Oxygen Art Centre! Adult Education Semester Lineup Launched!

     
     

     

  • Oxygen Art Centre

    FOR   IMMEDIATE   RELEASE: Open Studio & Artist Talk with artists-in-residence Mary Babcock and Susan Andrews Grace on Saturday December 21 from 5:00 – 7:00 PM

    Schedule of Events: Residency and Exhibition

    Residency: 7 December- 21 December 2019

    Open Studio and Artist Talk: 21 December 2019, 5:00-7:00 PM

    Exhibition: 8 January – 1 February 2020

    Closing reception: 31 January 2020, 7:00 – 9:00 PM

    Gallery Hours: Wednesday to Saturday, 1:00-5:00 PM

    Oxygen Art Centre welcomes Hawaii-based artist Mary Babcock as the newest artist in residence. Babcock will work collaboratively with local artist and writer, Susan Andrews Grace in stitching together a creative cautionary tale of dams, climate change and the Columbia River Basin. During the residency the artists will explore textiles, sound and space as they work towards the installation of new work. The residency will culminate in an exhibition under the title, “Oh, Columbia!”

    The residency will run from December 7th to December 21st, 2019 with an open studio and artist talk taking place on Saturday, December 21st from 5 to 7pm. Both artists will be in attendance. Admission by donation.

    Image: “Oh, Columbia!” Exhibition & Residency poster, Oxygen Art Centre

    Artist Bios:

    Mary Babcock is a professor of Sculpture and Expanded Practices and Chair of Graduate Program in Studio Art in the Department of Art and Art History at the University of Hawaii in Manoa. She holds an MFA from the University of Arizona, BFA from University of Oregon, Ph.D in Psychology from University of Pennsylvania and a BA in Psychology from Cornell University. Her practice weaves together performance, textiles and mixed media into immersive installations. Babcock is interested in the intersection of art, contemplation and social activism. She holds the practice of mending as a central metaphor in her work. She has exhibited extensively in both solo and group shows around the world including France, England, Poland, Japan and Philippines. Her work is in public collections including the Los Angeles County Museum of Art and Hawaii State Foundation on Culture and the Arts.

    Susan Andrews Grace is a writer and visual artist. She holds an MFA in Creative Writing from the University of Las Vegas and a BA in Philosophy from the University of Saskatchewan. Inanna Publications (Toronto, York University) will release her sixth book of poetry, “Hypatia’s Wake”, in the fall of 2020. She has written reviews and catalogue essays for artists in the Kootenay region. She was one of the founding faculty of Oxygen Art Centre and teaches Creative Writing there. Her visual art practice includes textile installation, mixed media, and sculpture. “Domestic Fetishes”, a solo exhibition, will open at Kootenay Gallery of Art on August 28, 2020. She has received several awards for her writing and visual art including grants from BC Arts Council, Canada Council for the Arts, and Columbia Kootenay Culture Alliance.

  • Oxygen Art Centre

    MEDIA RELEASE: Oh, Columbia! American artist Mary Babcock joins creative forces with local artist and writer Susan Andrews Grace to create a cautionary tale of ecological disaster.


    Schedule of Events: Residency and Exhibition
    Residency: 7 December- 21 December 2019
    Open Studio and Artist Talk: 21 December 2019, 5:00-7:00 PM
    Exhibition: 8 January – 1 February 2020
    Closing reception: 31 January 2020, 7:00 – 9:00 PM
    Gallery Hours: Wednesday to Saturday, 1:00-5:00 PM
    Oxygen Art Centre welcomes Hawaii-based artist Mary Babcock as the newest artist in residence. Babcock will work collaboratively with local artist and writer, Susan Andrews Grace in stitching together a creative cautionary tale of dams, climate change and the Columbia River Basin. During the residency the artists will explore textiles, sound and space as they work towards the installation of new work. The residency will culminate in an exhibition under the title, “Oh, Columbia!”
    The residency will run from December 7th to December 21st, 2019 with an open studio and artist talk taking place on Saturday, December 21st from 5 to 7pm. Both artists will be in attendance.
    The exhibition will open on January 8th and run until February 1, 2020. There will be a closing reception on January 31st from 7-9pm. The gallery will be open Wednesday thru Saturday from 1 to 5pm during exhibition run for viewing.
    Having lived in Oregon, the fate of the Columbia River is of concern for Babcock. She has worked creatively with social and political issues concerning the Basin for over a decade, and as climate change and Trumpism escalate Babcock has focused her art practice more acutely on social, political and environmental activism.
    In 2010, for example, Babcock collaborated with artist Christopher Curtin to create “Deluge,” a site-specific installation in a historic gillnet repair station located in Astoria, Oregon. As part of the project, Babcock dredged the delta to salvage abandoned gillnets (leftovers from the once vibrant fishing industry) with these relics she explored ideas around loss and reclamation. Babcock will continue to navigate these same issues during her residency.
    Babcock will utilize household wax paper as the central material for “Oh, Columbia.” Chosen for its the paradoxical and metaphorical nature wax paper is meant to preserve and protect yet is itself fragile and impermanent. Wax paper as a textile is perfect for domestic processes such as stitching, ironing, ordering and entwining. For Babcock, these processes are modes of gathering information, of understanding, of engagement, and of passing down information from one generation to another primarily through the hands of women. In the labour-intensive creation of a massive flood plain Babcock will use the act of mending as a personal and political gesture of restoration and repair.
    Research for the project references archival information about the 1948 tragic flooding of the Columbia River when Vanport, Oregon—a pop-up city built to house African American workers—was destroyed when a dike broke carrying enormous volumes of water over the city. 18,000 people were left homeless. Layers of injustice haunt this ecological, social and political disaster today.
    The title, “Oh, Columbia!” with its obvious reference to “Oh, Canada” is also a nod to the history of the river. “Oh, Columbia (Columbia Calls)” is an illustration of a young woman draped in the American flag, which was used by the U.S. Food Administration as propaganda to garner support for World War One. This image associating woman and nature served as a plea to ensure Government’s control over food distribution. In using this title and its historic reference, the artist locates the project in a continuing debate on the managing and control of Columbia River for political and capitalist reasons. It is Babcock’s hopes that the installation is a cautionary tale to heighten awareness of the atrocities and avariciousness that fuel an ecosystem out of balance.
    Of the collaboration, Babcock welcomes the process for its unimagined outcomes, synergy of minds and dynamic nature. As part of the collaboration, Andrews Grace will be creating a soundscape to accompany the material-based aspects of the installation. The two artists met in 2013 while attending an international conference on Contemplation at the Mir Centre for Peace. Forming a curious interest and admiration for one another’s work, the seed was planted for some sort of future creative endeavour together.
    The public is invited to meet the artists and to learn about the project in progress during their residency on Saturday, December 21, 2019 from 5:00 – 7:00 pm. The exhibition will be on view from 8 January – 1 February 2020 during hours of operation (Wed-Sat, 1:00-5:00pm). Oxygen will host a Closing Reception on Friday, January 31, 2020 from 7:00-9:00 PM. Everyone welcome to attend.
     
    Artist Bios:
    Mary Babcock is a professor of Sculpture and Expanded Practices and Chair of Graduate Program in Studio Art in the Department of Art and Art History at the University of Hawaii in Manoa. She holds an MFA from the University of Arizona, BFA from University of Oregon, Ph.D in Psychology from University of Pennsylvania and a BA in Psychology from Cornell University. Her practice weaves together performance, textiles and mixed media into immersive installations. Babcock is interested in the intersection of art, contemplation and social activism. She holds the practice of mending as a central metaphor in her work. She has exhibited extensively in both solo and group shows around the world including France, England, Poland, Japan and Philippines. Her work is in public collections including the Los Angeles County Museum of Art and Hawaii State Foundation on Culture and the Arts.
    https://marybabcock.com/
     
    Susan Andrews Grace is a writer and visual artist. She holds an MFA in Creative Writing from the University of Las Vegas and a BA in Philosophy from the University of Saskatchewan. Inanna Publications (Toronto, York University) will release her sixth book of poetry, “Hypatia’s Wake”, in the fall of 2020. She has written reviews and catalogue essays for artists in the Kootenay region. She was one of the founding faculty of Oxygen Art Centre and teaches Creative Writing there. Her visual art practice includes textile installation, mixed media, and sculpture. “Domestic Fetishes”, a solo exhibition, will open at Kootenay Gallery of Art on August 28, 2020. She has received several awards for her writing and visual art including grants from BC Arts Council, Canada Council for the Arts, and Columbia Kootenay Culture Alliance.
    http://www.susanandrewsgrace.com/
    Image: “Oh, Columbia!” Residency & Exhibition poster
    Image: Mary Babcock, Installation in progress, 2015, Courtesy the

     
    Press Contact:
    Deborah Thompson
    Exhibition & Residency Coordinator
    Oxygen Art Centre
    zwadi@telus.net
     
     
     
     

     

  • Oxygen Art Centre

    Join us at Oxygen Art Centre for the third and final “The Big Draw” event on Sunday, November 17th
     

    Events:

    1. Sunday, September 29, 2019 from 11:00am-4:00pm
    2. Sunday, October 20, 2019 from 11:00am-4:00pm
    3. Sunday, November 17 from 11:00am-4:00pm

     
    Oxygen Art Centre transforms the gallery into a community open studio over three Sundays this Fall. This all-ages three-part series of collaborative drawing workshops is in connection with the world-wide event known as “The Big Draw.”
     
    Facilitated by Oxygen Art Centre member and artist Anita Levesque, “The Big Draw” theme for 2019 is #DrawnToLife and explores the healing and unifying impact of mark making and drawing.
     
    These family friendly drop-in art making sessions run from 11:00am to 4:00pm over three Sundays through the Fall. Each session will focus on a different theme. Events are free or by donation. Open to everyone, whatever age or experience.
     
    The third and final session will be held on Sunday, November 17, 2019 from 11:00am-4:00pm. The theme for this session is “Diversity is strength.” Explore mark making through experimental drawing tools and drawing machines, drawing with sound, building a collaborative community large scale temporary mural directly on the Oxygen Art Centre walls. In addition to visual art marking we will build a community feedback loop to be shared on Kootenay Co-Op Radio, “Poetry for Keeps.” It will be reverberated throughout the community, a collaboration you will not want to miss.
     
    Oxygen Art Centre is committed to ensuring all exhibitions, programs, and events are accessible to visitors. Our facilities are wheelchair accessible and equipped with one accessible washroom. Please contact Oxygen if you have any questions or concerns about this event.
     
    “The Big Draw” is generously supported by Osprey Community Foundation, BC Lions Club, and Nelson and District Credit Union.
     
     

     

  • Oxygen Art Centre

    NELSON, B.C.’s OXYGEN ART CENTRE OFFERS A BOOK LAUNCH AND READING NOV. 13
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    Images: Ernest Hekkanen (Left); Josh Massey (Right), Courtesy the Authors

    Two Nelson authors, Ernest Hekkanen and Josh Massey, will read from and talk about their writing on Wed., Nov. 13 as the second offering of the 2019-2020 author reading series at Nelson, B.C.’s Oxygen Art Centre.

                The event begins at 7:30 p.m. Oxygen, at 320 Vernon St. (alley entrance), the city’s only artist-run centre. Admission is free ($5 donation appreciated) and the reading is open to the public.

                Hekkanen will be launching his latest book, The Ventriloquist’s Dummy Tells All: A Politically Incorrect Novel. Author of more than 45 books, Hekkanen is a prolific novelist, poet, short fiction writer, playwright and memoirist, as well as a fine artist in multiple media. His books include the 2008 novel Of a Fire Beyond the Hills, a hilarious fictional account of the right-wing fallout from his co-organizing of the 2006 Our Way Home event in Castlegar which honored U.S. Vietnam War resisters and the Canadians who helped them settle in a new country.

                A more somber volume is his 2014 novella I’m Not You, about a badly beaten man who awakens in the bush in Manning Park unable to remember who he is. Together with his wife Margrith Schraner, Hekkanen founded and edited the literary magazine New Orphic Review from 1998 to 2017. The magazine was the West Kootenay’s only ongoing literary outlet for most of that time. A highlight of his work as an editor was the awarding in 2014 of Canada’s $10,000 Journey Prize for short fiction to a story included in the magazine. Hekkanen has further been recognized by the B.C. book review tabloid, B.C. BookWorld, who in 2016 named his house as Nelson’s only Literary Landmark.

                Selkirk College English instructor Josh Massey is a poet and fiction writer whose recent publications include the novel The Plotline Bomber of Innisfree published by Toronto’s BookThug in 2015. With a background in community journalism, Massey is also a documentary filmmaker, and has lived in Ottawa and Montreal, as well as several places in northern B.C. He is a current host for the Nelson Poetry Open Mic and Poetry Slam, as well as an organizer of the Nelson Writers’ Salon, which provides a social space for area authors to meet.

                “Our initial offering in the reading series in October, featuring writers Kristjana Gunnars from the Coast and the Slocan Valley’s Leesa Dean, was a rousing success,” said Oxygen Art Centre executive director Julia Prudhomme. “We’re looking forward with great anticipation to hearing Ernest and Josh.”

                The next events in Oxygen’s series will take place in the spring, and pair, as the first one did, a local author with an invited B.C. writer, Prudhomme said. On March 18, the third event of the series will present Vancouver fiction author, journalist, food writer and UBC writing prof Timothy Taylor, together with Slocan Valley poet and fiction writer Fletcher FitzGibbon. While Taylor is in Nelson, he’ll also offer a writing workshop on March 19.

                The 2019-2020 author reading series is supported in part by the B.C. Arts Council and the Columbia Kootenay Cultural Alliance, and co-sponsored by Nelson’s Elephant Mountain Literary Festival.

                                                                            -30-

    FOR IMMEDIATE RELEASE

    Contact: Julia Prudhomme, Executive Director, Oxygen Art Centre: info@oxygenartcentre.org, 250-352-6322

    CUTLINES: Ernest Hekkanen, Josh Massey

  • Oxygen Art Centre

    Oxygen Art Centre: Annual General Meeting, Nov. 13 at 6 PM

    Oxygen Art Centre’s (Nelson Fine Art Centre Society) Annual General Meeting takes place on Thursday, November 13, 6:00 PM at Oxygen (#3-320 Vernon Street, alley entrance, Nelson, BC). Everyone welcome to attend.

    Oxygen members and the general public are invited to attend the meeting, renew their membership or join for the first time, and learn about all the goings-on from this past year including reports on art classes, exhibitions, visiting artists, events, fundraising and much more.
     
    Afterwards, Oxygen and Elephant Mountain Literary Festival will be hosting the second event of Author Reading Series: Home and Away, at 7:30 PM. Attendees are encouraged to stay for this event, which presents local authors, Ernest Hekkanen and Josh Massey. For more information about this event, visit our website here.
    If you have any questions about the AGM and following Author Reading Series event, please contact us at info@oxygenartcentre.org.
     
    In addition to the AGM proceedings, Members will be invited to vote on the following Special Resolution:
    Notice to Members of Special Resolution
    to be moved and voted on at the
    Oxygen Art Centre AGM, November 13, 2019 at 6 pm.
    Last year, Oxygen Art Centre complied with the Society Act transition by submitting new bylaws, which included a clause permitting, upon unanimous approval of the board, payment of fees, honoraria or per diems to board directors.  This is legal under the new BC Society Act.  To date, no director has been paid for their work as directors; the clause simply permitted such payments if the board chose to do so.
    This clause, however, is not permitted by BC Gaming, so the Oxygen board is presenting a resolution to change the bylaw to comply with BC Gaming requirements.
    Please see the current bylaw, and the resolution to be presented on November 13, below:
    Current bylaw:
    7.1 Directors may be remunerated (which includes fees, honoraria, per
    diems, or any other form of payment) for their work as directors, upon
    unanimous approval of voting directors.
     
    Resolution:
    Moved: That Oxygen Art Centre rescind the 2018 Oxygen Art Centre Bylaw 7.1
    permitting directors to receive remuneration upon unanimous approval of the
    Board, and replace it with the default clause from the Societies Act:
     
    7.1 Unless permitted by the bylaws, a society must not pay to a director of
    the society remuneration for being a director.
     
    This resolution must be approved by 2/3 vote of members present.

    Alterations to bylaws

    17   (1) A society may alter its bylaws by filing with the registrar a bylaw alteration application.
    (2) A society must not submit a bylaw alteration application to the registrar for filing unless the alteration proposed by the application has been authorized by special resolution.
    (3) An alteration proposed in a bylaw alteration application takes effect when the bylaw alteration application is filed with the registrar.
    (4) After a society alters its bylaws under this section, the registrar must furnish to the society a certified copy of the altered bylaws.
    (5) Even if the bylaws of a society identify a provision of the bylaws as being unalterable, the society may alter the provision in accordance with this Act.